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Tag: Carla-Camereri

Movie Bars: I Had To Go See About a Girl

Movie Bars: I Had To Go See About a Girl

In 1994 Ben Affleck and Matt Damon finished writing a screenplay for a thriller that centered around the idea of a young “Southie” from Boston who is being recruited by the government because of his genius intelligence. After Miramax bought the rights to the film, president Rob Reiner encouraged Damon and Affleck to drop the thriller idea and focus instead on the relationship between the young man and his therapist, with an additional romantic twist thrown in. This became the film that we all know as Good Will Hunting that was nominated for nine Oscars and won two: Best Supporting Actor for Williams and Best Original Screenplay for Affleck and Damon. I can still remember watching the two of them up on stage at the Academy Awards that year. There are a number of bar scenes in the movie, the most analyzed being the one that occurs in the Bow and Arrow where Will puts a pompous Harvard student in his place and captures the heart of Skylar (Minnie Driver) in the process. This scene is certainly critical to the film because it reveals the extent of Will’s genius to the audience, while simultaneously establishing the instant attraction between him and Skylar. At the advice of my son Connor, who helps me so much in working through my ideas for these movie posts, I chose to look instead at the more understated bar scene that occurs between Will’s therapist, Sean Maguire, and his mentor, Gerard Lambeau, played by Robin Williams and Stellan Skarsgård, respectively.

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Friday Musings: Dioramas

Friday Musings: Dioramas

I have a very vivid memory of spending a day with my mom at the Museum of Natural History in Philadelphia when I was somewhere around ten years old. It was summer and very warm, and we had taken the PATCO train into the city. I’m sure it was my first time ever riding it, and it may very well have been hers too. I remember the feel of the museum so well. It was cool and dark, and it had a particular smell that was a combination of pine, lemon, wood, and old things. The dioramas fascinated me. I

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Friday Musings: Control and Surrender

Friday Musings: Control and Surrender

I have an issue with flying. I was on a flight to Dallas when I was in my twenties that got into some trouble with a wind sheer right after takeoff, and I’ve never quite recovered from the fear. I’m well aware that I’m in more danger behind the wheel of my car than I am at 38,000 feet in the air, but for me it’s a matter of who has control. If I’m driving, then I think I’m the one who’s running the show, even though that’s nothing more than an illusion. If I’m flying, then I have no idea what’s going on in that cockpit,

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The Impassioned Old-Fashioned made with Liber & Co. Passion Fruit Syrup

The Impassioned Old-Fashioned made with Liber & Co. Passion Fruit Syrup

When crafting any cocktail, the thing that we’re striving for most is a sense of balance. Whether or not you considered yourself a professional or an amateur, a seasoned veteran or a pro, you’ll be able to taste when something is off. Drinks have different components to them, each of which is vital to creating the finished product. When there is too much or too little of any one of these elements, the drink will taste wrong, and even if you can’t put words to exactly why, your taste buds will definitely register it. If you look at the formula for creating a basic sour type of cocktail you’ll see that most have 2 ounces of a base spirit, along with 3/4 oz of sweetness, and 3/4 oz of sourness. In the case of something like a Twisted Gimlet, for example, I use 2 oz of vodka, 1/2 oz of St. Germain, 1/4 oz simple syrup, and 3/4 oz of lime juice. If I follow this formula most drinks will stay in balance. Often I’ll add bitters in too if the flavors in the drink are not coming together quite the way I want them to. An Old-Fashioned recipe is slightly different, in that there is not a strong sour component to the drink. It should contain a base spirit, sometimes a secondary spirit, sweetness, and bitters. To create a riff on the classic Old-Fashioned, you just need to change up the ingredients while keeping the ratios somewhat the same.

Sugar makes itself known in cocktails in many different forms. There is some sugar in the base spirit, although it’s often hard to actually taste. Secondary spirits are another matter. Something like St. Germain in the Twisted Gimlet above is going to contribute a decent amount of sugar to the cocktail and that’s why it factors into the formula. We often add sugar to a cocktail in the form of a syrup, which can be made with many different sweeteners, as well as having fruit, herbs, and spices infused in. These syrups are not difficult to make at home, but sometimes we don’t have all the ingredients we need on hand, or we just welcome the convenience of being able to buy something rather than make it. The important thing is to do your research and make sure you’re getting a good product that’s truly made from the things it claims it’s made from, with no corn syrup, and no artificial flavor added in. Liber & Co. from Austin, Texas makes a line of amazing syrups that are sourced from excellent producers using methods that extract the flavors as gently as possible. They sent me 6 of their syrups and asked me to create a few cocktails with them.

The first of the syrups that I wanted to try was the Passion Fruit because it’s not a flavor that I get to use very often. My initial inclination was to go with something light like a white rum or tequila, a vodka, or a gin. I wanted to step outside that comfort zone and go darker in much the same way as I wanted to challenge myself in the cocktail that I created for Fabrizia Spirits, The Sanguine Impostor. I decided to go with a riff on an Old-Fashioned, something that I wouldn’t ordinarily associate with passion fruit syrup, since it’s usually thought of as a more tropical flavor. I chose an Appleton Estate aged rum for my base spirit because it has the deep hints of caramel and vanilla that could go in a tropical direction, and I paired that with Ancho Reyes, a chili liqueur that works extremely well with rum, adding both sweetness and spiciness. An Old-Fashioned calls for a certain amount of sugar, traditionally in the form of a demerera cube muddled right in the glass, but it is acceptable to use a simple syrup here too, and that’s where the passion fruit syrup fit into this recipe. The final component to figure out was which bitters to use and I opted for Black Cloud’s Saffron Mango, because I loved the combination of the mango and passion fruit together. If you’d like to give this cocktail a try, the rum and Ancho Reyes are readily available, but the Liber & Co. syrup and the Black Clouds bitters may need to be ordered online if you’re unable to find a distributor near you.

Impassioned Old-Fashioned

2 oz Appleton Estate 12-year-old rum
½ oz Ancho Reyes chili liqueur
¼ oz Liber & Co. passion fruit syrup
1 dash Black Cloud saffron mango bitters

Add all ingredients to a mixing glass. Fill ⅔ full with ice and stir 30 seconds or until well chilled. Strain into a chilled old-fashioned glass over 1 large cube. Express a lime peel over the cocktail and garnish with lime peel that’s been rolled into a rose and skewered onto a cocktail pick. Enjoy!

Monday Classics: La Louisiane

Monday Classics: La Louisiane

I absolutely love anything that’s a secret. I’m always on the lookout for a new speakeasy to visit and I’m a huge fan of movies like National Treasure and the entire Indiana Jones series, so when Saveur Magazine called the La Louisiane the “secret cocktail of New Orleans,” I was pretty much smitten. I would love to say that I picture myself drinking this cocktail at the bar and hotel of the same name (where the drink was created), situated right around the corner from the Hotel Monteleone’s Carousel Bar, but it closed back in the 1930s. The La Louisiane cocktail disappeared not long after that, despite the fact that its recipe appeared in Famous New Orleans Drinks and How to Mix ‘Em by Stanley Clisby Arthur in 1937. It goes to show you that drinks are more than just their recipe, especially those that are born in bars. They are about the atmosphere of the bar and bartenders who work there, and the patrons that made these particular cocktails popular by sitting and drinking them long into many nights.

The first thing you’ll notice when you look at the La Louisianes recipe is just how similar it is to last Monday’s Vieux Carré. It pays the same homage to the melting pot that was New Orleans at that time, using ingredients from American, French, Italian, and Caribbean cultures. Once again we have a big, boozy cocktail with rye whiskey as the base spirit, its bite tempered by the addition of Bénédictine and sweet vermouth. There’s no cognac in the La Louisiane and it’s served up rather than on the rocks, but there are some Peychaud’s bitters and Absinthe, both of which bring distinct anise notes to the drink. Once again I was amazed by how smooth and easy this cocktail was, and I’m happy to have a drink filed away in my memory now that uses Absinthe. The La Louisiane is currently re-emerging in many bars in New Orleans itself, as well as all over the world, although I’ve yet to see one listed on a cocktail menu here in the Philadelphia area. I’m definitely keeping my eyes open! In the meantime, this is a cocktail that you can easily ask for even if you don’t see it on a drink list. The ingredients are readily available and most bartenders should know how to make one. If not, just grab your cell phone and pull up this Thirsty Camel blog post… Report back to me, please!

La Louisiane

2 ounces Old Overholt rye whiskey
¾ ounce Bénédictine
¾ ounce sweet vermouth (half Dolin Rouge and half Punt e Mes)
3 dashes Pernot Absinthe
3 dashes Peychaud’s bitters (I substituted Scrappy’s Orleans bitters)

Add all ingredients to a mixing glass. Fill ⅔ full with ice and stir 30 seconds or until well chilled. Strain into a chilled coupe or cocktail glass. Garnish with three brandied cherries. Enjoy!

As with any classic cocktail recipes, this one started out with equal parts of all the spirits, resulting in a drink that was too sweet and off balance. Bumping up the rye and reducing the vermouth and the Bénédictine corrects this problem.