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Cocktail Musings: A Once Unresolved Matter

Cocktail Musings: A Once Unresolved Matter

One of the first concepts I learned when I began studying astrology was the idea of the twelve houses. Simply put, there is a kind of snapshot taken of the sky above and beneath the earth at the moment we are born. It contains the twelve constellations of the zodiac, the moon and the sun, and the eight remaining planets other than earth. Yes, astrologers still count Pluto; in fact, he is rather important. This snapshot becomes what is known as the natal chart, and it offers a blueprint of the energetic forces that we will carry with us throughout the remainder of our lives. It is divided into twelve different sections, with each one representing a certain area of our psyche and life experiences. Knowing a client’s exact birth time is crucial to astrologers because it informs us as to which constellation was coming up over the eastern horizon at that particular moment. This section of the sky is known as the first house, or the rising sign, and it sets the house placements for the remainder of the chart. The first house is the lens through which we interact with the world, and in the other houses we find things like our childhood experiences, our deep interpersonal relationships, our career and public selves, and our friendships, just to name a few of them. As with everything else in astrology, none of these house meanings were determined randomly, and have no origin in pop culture, but rather they were based on an ancient methodology that arose from a complex blend of the observable sky and corresponding mathematical calculations, as well as the principles of Greek philosophy and mythological stories. The natal chart can offer us insight into who we are as individuals by highlighting our strengths and challenges, and by helping us to understand why we behave and react in the ways in which we do. It is meant to be a tool of self-illumination, nothing more, and certainly nothing less.

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Friday Musings: B-sides and Rarities

Friday Musings: B-sides and Rarities

I recently spent a day in Burlington City that climbed all the way to the top of the perfect scale: the company of my favorite person, lattes from Evermore Coffee Roasters, a late lunch at the Union House, and a marathon browse session at the Burlington Antiques Emporium. As you can imagine, I am always on the hunt for really cool glassware, dishes, or other accompaniments for my cocktail photos. As I meandered past a booth packed with old vinyl, there was a stack of 45s, or singles, depending on which terminology you prefer, that stopped me in my tracks. I was immediately taken over by my 11-year-old self and transported back to the record department of Woolworths in 1972, trying to decide which recent radio hit deserved my hard earned three dollars. Unfortunately, and much to my chagrin, it was probably the decidedly awful Alone Again (Naturally) by Gilbert O’Sullivan that ended up being the winner. But this was how we purchased 45s back then. We were focused only on the hit songs and rarely paid attention to what we’d hear if we flipped the record over. It didn’t matter. For the most part, we fell right in line with the record companies’ intentions. We were pulled in by the A-side, or the one that received the most airtime on the radio and thus generated the most sales, and we never gave much thought to anything else. The B-side was usually a song that was not expected to ever be a hit for a multitude of reasons, most having nothing to do with quality, and there are many examples of those that became exceptions. One of the most notable is God Only Knows by the Beach Boys, which just happens to be the B-side that surpassed Wouldn’t It Be Nice? in popularity. As time went on, vinyl fell out of fashion and was replaced by CDs, which had no B-sides, of course, and eventually the term became more about the rarity of particular songs rather than where they were placed on a record. In fact, many artists began releasing entire albums that were filled with new or unusual material. In this way, B-sides allowed us to discover fresh music from our favorite bands, even the ones that weren’t playing together anymore, and they attained a new level of music geek coolness.

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Music and Cocktails: I Want to Thank You, Thank You…

Music and Cocktails: I Want to Thank You, Thank You…

I have been a Natalie Merchant fan since she was the lead singer for The 10,000 Maniacs. In fact, the post that I wrote back in June about their song “Trouble Me” is one of my all-time favorites. In turning a highly successful career as a member of a band into an equally successful solo act, Merchant was able to accomplish something that has eluded many of her fellow artists. As a musician, her lyrics are well-crafted and profound. She is known to spend hours writing and

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Music and Cocktails: (Don’t Fear) the Reaper

Music and Cocktails: (Don’t Fear) the Reaper

I usually don’t name my cocktail after the song itself, but today is Halloween after all, and this is one of the greatest song titles ever, so I decided to make an exception. “(Don’t Fear) the Reaper” was released by Blue Oyster Cult in 1976 as part of their Agents of Fortune album. It charted as high as number 12 here in the U.S. and Rolling Stone Magazine actually went on to name it Song of the Year. Prior to that, Blue Oyster Cult was exactly what their name suggested: a cult rock

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Music and Cocktails: Corkscrew to My Heart

Music and Cocktails: Corkscrew to My Heart

Bob Dylan’s 1975 Blood on the Tracks album has always been one of his most puzzling. The mystery begins the moment we try to delve into its meaning. Is it truly his attempt to deal with the break-up of his marriage, or is it not related to that at all? Jakob Dylan, his son, has been quoted as saying, “When I’m listening to ‘Subterranean Homesick Blues,’ I’m grooving along just like you. But when I’m listening to ‘Blood on the Tracks,’ that’s about my parents.” Yet Dylan

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